César Moro Biography, Age, Height, Wife, Net Worth and Family

Age, Biography and Wiki

César Moro was born on 31 August, 1903 in Lima, Peru, is a Writer. Discover César Moro’s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 53 years old?

Popular As N/A
Occupation N/A
Age 53 years old
Zodiac Sign Virgo
Born 31 August 1903
Birthday 31 August
Birthplace Lima, Peru
Date of death (1956-01-10)
Died Place N/A
Nationality Peru

We recommend you to check the complete list of Famous People born on 31 August.
He is a member of famous Writer with the age 53 years old group.

César Moro Height, Weight & Measurements

At 53 years old, César Moro height not available right now. We will update César Moro’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don’t have much information about He’s past relationship and any previous engaged. According to our Database, He has no children.

Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

César Moro Net Worth

His net worth has been growing significantly in 2021-2022. So, how much is César Moro worth at the age of 53 years old? César Moro’s income source is mostly from being a successful Writer. He is from Peru. We have estimated
César Moro’s net worth
, money, salary, income, and assets.

Net Worth in 2022 $1 Million – $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Writer

César Moro Social Network



In 1948 Moro returned to Lima where he taught at the Alianza Francesa and the Colegio Militar Leoncio Prado until his death in 1956. Moro’s friend André Coyné, a French poet and art critic, is credited with safeguarding and organizing Moro’s works after his death.

In 1938 Moro was forced to flee Lima to avoid arrest for publishing and distributing a “clandestine pamphlet in support of the Spanish Republic.” Moro relocated in Mexico City as a cultural ambassador to the French government. Here, he connected with various progressive artists of the time, including Wolfgang Paalen, Alice Rahon, Xavier Villaurrutia, Remedios Varo, Gordon Onslow Ford, and Leonora Carrington. Moro organized the 1940 Exposición internacional del surrealismo (International Exposition of Surrealism) at the Galería de Arte Mexicano in Mexico City, with help from Wolfgang Paalen and with guidance from André Breton. The exhibition included work by artists from all over Europe, South America, and the United States. Four of Moro’s artworks were included in the international section of the exposition, including Pedestrian (1926), Untitled Painting with the Inscription “Eluard” (1926), The Art of Reading the Future (1935), and Cover for the Blind (1939). In 1944 Moro broke with the Surrealist movement and established close connections with Mexican artists of Los Contemporáneos. In Mexico, Moro had his poetry published in various journals and periodicals, and had his avant-garde and surrealist texts circulated throughout the country.

Moro returned to Lima in 1933 and attempted to establish himself as a leader of Surrealism in South America, following in the footsteps of César Vallejo and José Carlos Mariátegui who had both published analyses of Surrealism. He produced art and literature while in Peru, established a museum, and taught art classes for the mentally ill at Hospital Larco Herrera. In 1935, he co-organized the first ever Surrealist Exposition in South America with Emilio Adolfo Westphalen at the Academy Alcedo in Lima.

Around 1926, Moro briefly adopted a more cubist style of painting and shifted away from depicting Peruvian scenes. This likely came as a “response to expectations of primitivism and nationally specific subject matter in Paris.”

Moro moved to Paris on August 30, 1925, initially to pursue ballet dancing, but shortly after focused his artistic efforts on creating art and poetry. He participated in his first group exhibition at the Cabinet Maldoror in Brussels alongside Santos Balmori, Jaime Colson, and Isaías de Santiago. He contributed to the Surrealist artistic and literary movement while in France, becoming fully integrated into the group by the 1930s. He openly criticized the politics of the time by contributing writings to La mobilisation contre la guerre n’est pas la paix (Mobilization Against the War is Not Peace), an anti-war manifesto. Moro embraced the Surrealist’s critiques of bourgeois social values and cultural hierarchies. He used Surrealist art and literature to “articulate his own marginality or sense of invisibility as a homosexual man negotiating his place in the international art world.”

César Moro (August 31, 1903 – January 10, 1956) is the pseudonym of Alfredo Quíspez Asín Mas, a Peruvian poet and painter. Most of his poetic works are written in French; he was the only Latin American poet included in the 1920s and ’30s surrealist journals of André Breton and the first Latin American artist to join the surrealist group on his own initiative, as opposed to being recruited by Breton.

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